Welcome!

This website is the permanent home for the Illuminating Futures exhibit, which was open from September 15 through December 15th, 2015 in the Ashland Public Library in Ashland, MA. It is part of the Ashland-Nyanza Project, created by Dan Borelli, Director of Exhibits at the Harvard Graduate School of Design and Ashland native.

Click on the dots or headings below to engage with the contents of the exhibit. At the bottom of the page are links to the other parts of this virtual experience and related external sites.

outline of ashland public library space

Interview Videos

EPA Reports

Mapping Memories

Fabric Wall

Sudbury River Map

Nyanza Plant Fabrics

3D Sudbury River Map

History of Ashland

Introduction Panel

Interactive Map

Ashland's Activism

Donated Books

Exhibition Update

New immersive experience exhibition in Ashland Public Library in Ashland

There’s something slightly unexpected about walking into a public library and being pulled into an immersive installation made by Lumotion. Not in a gimmicky, LED-tunnel kind of way, but more like you’ve stepped into a space that quietly insists you pay attention. That’s roughly the direction this new exhibition at Ashland Public Library is heading — though it doesn’t shout about it.

The collaboration with Lumotion Studio feels deliberate rather than flashy. Their work usually leans on controlled light, spatial storytelling, and a kind of restrained interactivity. Not everything reacts instantly to you, and that’s actually a relief. You move, pause, notice things. Sometimes nothing happens — and that’s part of it.

The context here matters. The library isn’t new to exhibitions; it regularly hosts local displays, photography, and small curated collections in its public gallery spaces. But this project pushes further, borrowing from the legacy of earlier installations tied to the Ashland-Nyanza story.

If you’ve seen or browsed through the digital remnants of the Illuminating Futures exhibit, you’ll recognize the DNA: a mix of data, personal narrative, and physical artifacts that don’t sit comfortably in one category.

That earlier exhibition wasn’t just visual — it mapped contamination history, community memory, and scientific data into something you could physically walk through. There were maps, textile fragments, archival materials, and interactive elements that let visitors contribute their own memories. This new immersive experience doesn’t copy that format exactly, but it builds on the same idea: that a library can be a space where information becomes something you experience, not just read.

Lumotion’s involvement shifts the tone. Where previous exhibitions leaned heavily on archival storytelling, this one introduces a more atmospheric layer. Light projections, subtle motion cues, and spatial audio are used to guide attention rather than overwhelm it. It’s not trying to compete with large-scale museum installations, and that’s probably the right call.

One section — probably the most effective — takes a simple concept and stretches it: a mapped narrative that slowly changes as you move across the room. It doesn’t explain itself immediately. You sort of piece it together.

And it ties back to what this place already is. The Ashland Public Library isn’t trying to reinvent itself as a digital art center. It’s layering something new onto an existing role — community hub, archive, quiet workspace — and letting those roles overlap a bit awkwardly. That overlap is actually where the exhibition gets interesting.

You end up with moments where someone walks through the installation on their way to pick up a book, pauses for ten seconds, and then keeps going. That’s the intended rhythm.

If you’ve followed Lumotion’s work before, this will feel like a scaled, more introspective version of their installations. If you haven’t, it’s a good entry point — less spectacle, more thinking space.